Black and white Painting restoration process

Oil painting is the painting mixed with oil and the power of pigment, which is painted on the basic surface of linen, board or board. Due to the oxidation of oil, the oil paint is completely dry. The paint after drying is bright, firm and has a quality and tangible.
Generally think oil painting is firm and solid not bad, actually otherwise, the passage of time, 
Great Big Canvas the change of temperature and humidity, the attachment of dust, the invasion
of insects, etc., in more than ten years of time enough to damage the oil painting.
Identification before repair
First, a detailed inspection is made before the restoration of the work. The inspection process can be divided into four aspects:


1. Textual research of works
Understand the author and the creation time, look for relevant information and painting characteristics about the painter, such as the commonly used material, color, brushstroke, creation style, creation idea and aesthetic point of
view, etc.
This kind of investigation can help the restorer establish a deeper understanding with the work, 
Large Abstract Painting on Canvas and master the original creation face of the work more accurately when
repairing.
Ii. State evaluation
Firstly, it is necessary to determine whether the painting technique is an oil painting or glue painting, record the size of the work, the theme, the signature of the painter, the date of completion, the storage condition of the inner frame
and outer frame, etc., and then conduct in-depth analysis after recording these basic conditions.
A. Substrate: the materials used to distinguish the substrate are flax, jute, hemp, cotton cloth, mixed fiber, board or fiberboard;
The method of fixation is to use a nail or a nail for a gun;
Whether there is damage, oxidation corrosion, dampness mildew, microorganism or insect damage;
If it has been repaired by predecessors, what are the way of repairing and the adhesive applied?
B. Substrate
coating”: understand the color of the substrate coating, and whether the substrate has the phenomena of separation, floating, cracking, flaking or microbial invasion.
C. painting layer: analysis of adhesive used in pigments;
The thickness and thickness of the painted layer;
Tonal it is to belong to bright color, gray or dark tonal;
The color technique used is transparent painting or opaque painting;
Fine or rough strokes;
Whether the painting layer is cracked, locally or comprehensively, 
Large Canvas Art how deep the crack is, and whether it begins to spall;
Whether the surface of the color layer appears blisters and so on.
The degree of these factors is evaluated and analyzed.
D. Protective layer: whether there is a protective layer, which is comprehensive or partial, times of application and thickness.
Carefully distinguish between transparent color and the color of the vannis layer whether there are lesions or microbial infestation.
Iii. Laboratory diagnosis
A. Ultraviolet irradiation: ultraviolet irradiation can penetrate into the interior of the protective layer and paint layer. When this kind of ultraviolet light is irradiated on the surface layer of the work, it will show blue-violet
refraction light.
B. infrared ray: its radiation principle is like the radiation of X-ray, but its radiation function is not as strong as that of X-ray. However, it’s perspective range is far beyond the ultraviolet radiation, and it can reach the coating
base and sketch layer of the substrate, so it can provide the restorer with quite correct information.
Take photos and file
Before and after the restoration of the artworks, both of them have the feeling of being different from each other. Therefore, before the restoration, it is necessary to take photos for archiving, as a witness for later comparison.
In addition, in the process of restoration, the original picture of the work is often needed as a supplement to master the color and composition of the whole work.
The key points of photography include the complete front, back, inner and outer frames of the works, and then the macro lens is applied to take pictures of partial close-ups in a segmented way.

Oil Painting Style

Style is a topic that people often talk about. When it comes to the style of Big Canvas Art painting, it is often associated with genres. In a sense, style is a comprehensive expression of the artistic characteristics of a work and an artistic language, which contains both content and form.A history of art, up and down thousands of years, can even be traced further, but the development of the stage of Modern Wall Art painting is hundreds of years.The style of Black and White Wall Art is varied, especially in today’s era, the artistic style is more numerous. Beyond count. Every artist’s attitude and method of creation are often different, only those who stand on the shoulders of their predecessors and absorb the essence from the inherent classical examples. Only by breaking through the traditional mode, opening up their own unique aesthetic horizon, exploring new artistic connotations and manifestations, and striving to establish their own independent artistic quality, can such artists truly have the style of great artists. However, such a successful artist, no matter in which era. They are only a few.

HAND MADE ACRYLIC PAINTING MINIMALIST ART

Artists have different preferences and naturally different entry points for their own artistic choices. Some focus on skills, some start with ideas, and some think about skills and concepts together at the same time. Whatever attitude toward art, there are reasons for its existence. After all, what people see is the work in the end. As for the merits and demerits of the works, their character is pure and vulgar. Ultimately, it’s up to people to judge, and it’s up to time to choose. The survival of the fittest is the law of history, and the history of art development is also a kind of history.

Some people have said that literature and art is to “make invisible things visible”. To make something invisible to others visible. This is not to say that invisible things do not exist, but that “things” are often ignored by people. Artists have unique vision and through their creation, use their language to present them in another way, so that people can “see” and arouse thinking and resonance. The result of this creation is literary and artistic works. One writer said, “Novels are the backlight of the soul. You inject a part of the soul into the work so that it has your flesh and blood. It also has the height of art.” The same is true of painting. What kind of thinking and expression do painters create? What tendencies are there in the process of creative practice? The artistic achievements created. What’s the difference between this painter and other painters? This thinking is different and the angle of creation is different. The emphasis of art on law is different, that is, the style of the painter. That is to say, style is an organic combination of thinking and expression.

As far as the form of expression is concerned, the painter actually strengthens his own performance (from one factor of many modelling factors to one aspect of this factor, and regards it as the dominant factor of his personal work form. At the same time, he weakens and abandons other factors, making it subordinate or even cancelled. The intensification wells mentioned here are not simply strengthened, but originated from the unique understanding of plastic arts by individuals, which is the result of artists’perception in the pursuit of artistic language. Even between realistic or concrete painting and modern abstract and expressive Large Abstract Art Cheap, there is no insurmountable gap. On the contrary, they are interlinked in many aspects of aesthetics. Some artistic factions claiming to break away from traditional aesthetic concepts and no longer be bound by traditional artistic principles eventually fall into a new trap and conform to new norms. And between the new norm and the traditional norm, there is often an inseparable inheritance relationship. Tradition has no boundaries, for the later renewed art factions. These once new norms have gradually become “traditions”. In traditional paintings, such important things as composition balance, color coordination and harmony, reasonable distribution of black, white and grey, proper organization of points, lines and surfaces, orderly operation of picture structure and appropriate control of rhythm and rhythm can also be found in paintings of different genres in different times.